

Bon Bon’s Moki Boy Wonder, owned by Brad & Janet D. of Sarasota FL, bred by Bonnie Murphy, Lhasa Love.
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A small studio crafting custom portraits of the family pet. Pick a style, share a photo, and we’ll send back a proof — refined until it’s unmistakably them.
A few recent commissions — the photo we received, and the piece now living in someone’s home.


Bon Bon’s Moki Boy Wonder, owned by Brad & Janet D. of Sarasota FL, bred by Bonnie Murphy, Lhasa Love.
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Bon Bon's Boshay Pabu Cimba, bred by Bonnie Murphy, Lhasa Love.
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Shiba Inu in spring air. Caught mid-glance. A small fox with a long memory.
Start one like thisIt’s a small, friendly process — closer to a studio visit than a checkout. If you get stuck at any step, a real person is an email away.
Every commission is made to last. Choose our bestselling classic framed print — with or without a mount — the archival matted box frame, a gallery-wrapped canvas in a wood float frame, or a frameless stretched canvas. All made to be looked at for years.
Our bestselling framed giclée print — solid satin-laminated wood, with or without a mount, delivered ready to hang.
Crafted from solid wood with a smooth satin-laminate finish and mitred corners. Our most popular framing — clean, timeless, and built to sit quietly on any wall.
Choose a 2.4 mm conservation-grade snow-white mount — 100% acid-free, sustainably sourced — or skip the mat for a clean, edge-to-edge print.
A 20 mm front face sitting just 22 mm off the wall — an understated, gallery-style moulding that frames the portrait without competing with it.
Black, white, walnut, honey oak, warm gold, brushed silver, dark grey, and light grey. Glazed with shatter-resistant Acrylic / Perspex on 200 gsm fine-art giclée.
A giclée print on archival paper, matted, behind glass in a hand-stained solid wood box frame.
Built from a single solid wood profile with mitred corners. A specialist wax finish brings out the natural grain and warmth of the wood.
The mount is 100% acid-free, sustainably sourced, and won’t discolour or fade with age. A 2.4 mm bevel-cut snow-white board, ready to last.
A 20 mm front face and 33 mm depth from the wall — a clean, contemporary shadow-line profile. The matte sits proud of the print behind it.
Matte black, soft white, walnut, and honey oak — each hand-stained and waxed in the studio. Glazed with shatter-resistant Acrylic / Perspex that blocks UV without the weight or risk of glass.
A frameless gallery-wrapped canvas, hand-stretched over a 38mm pine stretcher — the most affordable way to go big.
No frame, no glass — just the image, gallery-wrapped over a solid 38 mm stretcher. Clean, contemporary, and the lightest way to fill a big wall.
European kiln-dried knotless pine stretcher bars with a curved profile, hand-stretched for crisp edges and smooth, even corner folds.
Choose how the edges finish: image wrap, mirror wrap, or solid white or black borders — whatever suits the piece and the room.
Heavyweight 400 gsm artist-grade cotton canvas with a finely woven texture that brings out tonal depth, printed for 200-year display permanence.
A 38mm stretched canvas floated inside a slim hand-finished wood frame.
12 mm front face, 32 mm base — a thin moulding that lets the canvas do the talking. A 5 mm shadow gap sits between the canvas edge and the frame, producing the clean floating effect.
Closeup of the corner join — mitred, glued, and reinforced. Six finishes available: black, white, antique gold, antique silver, natural, and brown.
About 2 inches of depth — slim enough to read modern, deep enough to give the canvas real presence. The 40 mm rebate holds the canvas firmly inside the frame.
400 gsm premium canvas, gallery-wrapped on a kiln-dried 38 mm stretcher. Archival 12-colour inkjet printing — built for daily display, made to outlive the wall.
Real humans answer at hello@lumengesso.com, usually within a day.
One portrait, proofed in one business day. Archival print, framed if you like. Made in Brooklyn since 2026.